Toledo Symphony Teams Up with Stereo Hideout Productions for Brahms and Radiohead Mashup

Published Wednesday, December 18, 2019 9:00 am

The Toledo Symphony announced today that it will team up with Stereo Hideout Productions and composer, conductor, producer, DJ, arranger, songwriter, pianist, and rapper Steve Hackman for the Brahms v. Radiohead show on March 7, 2020, 8PM at the Valentine Theatre. Hackman and three vocalists will join the Toledo Symphony Orchestra to perform Brahms’s First Symphony interwoven by music from Radiohead’s landmark album OK Computer.

“This is not just music for pops fans or fans of classical music,” says Felecia Kanney, Director of Marketing for the Toledo Symphony. “There’s great depth to the arrangements. The music slides seamlessly from one to the other. The combination of these two masterpieces from two different centuries is just pure genius and incredibly entertaining. It’s music for everyone.”

A recent graduate of Philadelphia’s prestigious Curtis Institute of Music and former competitor on American Idol (Season 7), Hackman began writing arrangements of pop hits for Curtis alums Time for Three, a trio that defies convention and boundaries of classical music. That snowballed and led to opportunities across the country to run alternative classical programs.

Then, Hackman took a chance with more intricate arrangements of pops and classical music, beginning with Brahms’s 1876 Symphony No. 1 and songs from Radiohead’s landmark 1997 album OK Computer, and it was a hit. Since then, Hackman has also created Beethoven v. Coldplay, transforming Ludwig van Beethoven’s Eroica Symphony into an oratorio, weaving in melodies and lyrics of Coldplay. Hackman’s current tour schedule includes stops in San Diego, Indianapolis, Germany, Switzerland in addition to Toledo, Ohio.

“I’ve always thought that mash-ups and remixes are just celebrating the original(s), and when you hear something familiar with something unfamiliar it only encourages you to go discover that unfamiliar,” said Hackman in an interview prior to his Oregon Symphony performance in 2018.

Brahms v. Radiohead will take place at the Valentine Theatre on Saturday, March 7, 2020 at 8PM. Tickets start at $25 and can be purchased online at toledosymphony.com, by calling 419.246.8000, or visiting the box office at 1838 Parkwood Avenue.

For more information, contact Felecia Kanney, Director of Marketing for the Toledo Symphony at fkanney@artstoledo.com.

About Steve Hackman

Musical visionary of incomparable gifts, Steve Hackman is a daring voice leading the charge among a new generation of classical musicians intent on redefining the genre. Equally adept in classical and popular forms, his breadth of musical fluency and technique is uncanny – he is at once a composer, conductor, producer, DJ, arranger, songwriter, singer, pianist, and even rapper. He uses those wide-ranging abilities to create ingenious hybrid compositions that blur the lines between high and pop art and challenge our very definitions thereof.

Hackman’s unique style of musical metamorphosis sees modern musical techniques applied to the classical repertoire and vice versa. The result is evocative hybrid works that are both derivative yet wholly original. He synthesizes Brahms and Radiohead, Bartók and Björk, and Tchaikovsky and Drake into epic orchestral tone-poems; re-imagines Stravinsky and Shostakovich into original orchestral-electronic concept albums; samples Verdi and Debussy and interpolates them into hip-hop tracks; writes songs with hidden melodies of Beethoven embedded.

His performances of these pieces have surprised and thrilled diverse sellout audiences across the country, including with the orchestras of Seattle, Pittsburgh, the Boston Pops, Nashville, Oregon, Indianapolis, Grand Rapids, Columbus, Charlotte, Florida, Alabama, and the Colorado Music Festival.

In May of 2018 Hackman’s dream of assembling an orchestra of like-minded, creative virtuosos became a reality with the debut concert of STEREO HIDEOUT: BROOKLYN at the Kings Theatre. Of the evening’s main piece Brahms V. Radiohead, Grammy.com wrote, “Hackman re-composed and compiled something so creative and special yet so natural and real.” Stereo Hideout is a hand-picked ensemble of the crème de la crème of young classical musicians in New York City, many of whom are multi-genre composers, arrangers, songwriters, and musical disruptors themselves. Their concerts will continue to feature Hackman’s hybrid and original works, guest artists, as well as showcase projects of the orchestra members.

Upcoming engagements for Hackman include debuts with the Colorado Symphony and Calgary Philharmonic, as well as returns to Seattle, Oregon, Nashville, Indianapolis and others. In October he will debut his newest creation, West Side X West Side, an orchestral/hip-hop synthesis of Bernstein’s West Side Story and the music of West Coast rappers Dr. Dre, Snoop Dogg, Tupac, Ice Cube, Warren G, Kendrick Lamar, and more.

On January 25, 2018, Hackman premiered his choral treatment of Bob Dylan, a fifteen-song, 70-minute anthology entitled The Times They Are A-Changin’ with the Mendelssohn Choir of Pittsburgh. The piece was commissioned by six American choirs. In March 2018, he performed Brahms V. Radiohead in Lakeland and Fort Myers, Florida, and Tchaikovsky V. Drake with the Nashville Symphony. He began 2018 with Brahms V. Radiohead at the Oregon Symphony, and later in the month released the new STEREO HIDEOUT album The Gates Unknown, which features a full orchestra of musicians from Hackman’s alma mater Curtis Institute of Music, as well as Louisville-based artist and rapper 1200.

In June 2017, Hackman made his debut with the Boston Pops, conducting four concerts of a program titled “Beatles & Beyond.” He returned to the Pittsburgh Symphony for a concert later in June and premiered his latest mashup with the Colorado Music Festival in July, titled Mashupalooza––a trip through an imaginary music festival where both classical and popular artists perform together.

From 2015-2017, Hackman served as creative director and conductor of FUSE@PSO, a genre-defying series at the Pittsburgh Symphony that has introduced the symphony and its repertoire to thousands of new listeners. The series has received accolades from the Pittsburgh Post Gazette, Tribune-Review, Pittsburgh Quarterly magazine, Whirl magazine, Table magazine, Next Pittsburgh and Made in PGH. On March 8, 2017, KDKA-TV’s Pittsburgh Today Live led with the story “Pittsburgh Symphony’s FUSE Series getting rave reviews.” On March 22, 2017, Hackman led the Pittsburgh Symphony in a sold-out concert of his Tchaikovsky V. Drake. Hackman’s work as an artistic innovator was recently recognized by an invitation to speak at the TedX Conference.

From 2013 to 2015, Hackman was music director of the “Mash-Up” series at the Colorado Music Festival. From 2009 to 2013, Hackman served as co-creative director of the Happy Hour at the Symphony Series with the Indianapolis Symphony, where, along with co-artistic directors Time for Three, he pioneered a new type of concert experience by producing, arranging/composing and conducting compelling presentations that blended classical with pop. Hackman served as the music director of Time for Three from 2011-2012, and has collaborated closely with the group for nearly a decade, producing two of their albums and penning over fifty arrangements, orchestrations and compositions.

In 2014, Hackman released the debut STEREO HIDEOUT album The Radio Nouveau along with several music videos. The album was mixed in London by Gareth Jones (Grizzly Bear, Depeche Mode) and mastered in Brooklyn by Joe Lambert (Animal Collective, Dirty Projectors). The follow-up album Down with the Classics (a mixtape introduction to classical music), was co-produced by Grammy-nominated producer Good Guy Dez (Big Sean, will.I.am, Juicy J, Meek Mill, Kid Cudi, King Los, Puff Daddy), and features thirteen songs, all of which sample a different classical composer and layer melodies and raps over top.

Successful as a composer and arranger, Hackman’s work includes pieces for ensembles and artists as diverse as the string trio Time for Three, violinist Joshua Bell, and choral ensembles Chanticleer and The Tallis Scholars. His orchestrations for artists like Time for Three, The Five Browns, Michael Cavanaugh, My Brightest Diamond, Arlo Guthrie, Aoife O’Donovan and Joshua Radin have been performed by nearly all the major orchestras in America. Hackman is a frequent contributor to From the Top.

Hackman was a four-year member, producer and musical director of the a cappella group The Other Guys at the University of Illinois, a group that under his direction placed runner-up in the International Competition of Collegiate Acapella at Avery Fisher Hall. He is a prolific songwriter, having written hundreds of songs and releasing several albums of original music. His song “The Pendulum Song” was chosen among tens of thousands as a finalist in the John Lennon Songwriting Competition, and he has also received honorable mention in the Billboard songwriting competition. In season seven of American Idol, Hackman was one of 164 contestants chosen from more than 150,000 to attend Hollywood Week. He finished in the top 64.

Hackman studied counterpoint, composition and improvisation under his mentor Dr. Ford Lallerstedt at the Curtis Institute of Music in Philadelphia. He received an advance diploma in conducting at Curtis under Otto-Werner Mueller and studied subsequently with David Zinman at the American Academy of Conducting at Aspen. He received further training in orchestration from the prolific Broadway orchestrator and composer William Brohn (Miss Saigon, Wicked, Ragtime and countless others). His undergraduate degree is in piano performance from the University of Illinois at Urbana-Champaign, where he studied with Gustavo Romero. He served as the assistant conductor of the Reading Symphony for two seasons, where he led subscription, family, education and New Year’s Eve programs.

Hackman is active on social media under the handle @stevehackmanmusic, and many of the pieces referred to here can be watched in their entirety on YouTube via the @stereohideout channel.

About the Toledo Symphony

The Toledo Symphony is a community-supported organization of professional musicians and teachers who deliver quality performance and music education for all.

Formed in 1943 as The Friends of Music and incorporated in 1951 as the Toledo Orchestra Association, Inc., the Toledo Symphony Orchestra has grown from a core group of twenty-two part-time musicians to a regional orchestra that employs sixty-nine professional musicians who consider the Toledo Symphony their primary employer, as well as numerous extra players annually as repertoire demands.

On January 1, 2019, the Toledo Symphony and Toledo Ballet officially merged to form the Toledo Alliance for the Performing Arts (TAPA), a new non-profit organization dedicated to providing exceptional live music and dance performances and education for the region. This partnership is one of only few in the nation, and strives to create new and invigorating programs, provide cost and revenue synergies in operations, and integrate the arts through shared educational missions.

The Toledo Symphony reaches more than 260,000 individuals annually through performances and education programs. The series concerts (Masterworks, Pops, Chamber, Mozart in the Afternoon, and Family Series) are the critical underpinning of the orchestra’s artistic mission and regularly draw people from 135 postal zip codes. Education programs, student performances, and community concerts are held in schools, neighborhood churches, performing arts centers, and community facilities throughout the region; many are offered at no charge or provided at a reduced fee to help expand participation.

The Toledo Symphony Orchestra has events all year round. View our upcoming performance schedule now.

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